I
have studied English Language and Linguistics at the Eφtvφs Lσrαnd
University in Budapest. Due to my deep involvement in philosophy I was more
attracted to literature and especially mysticism and mystic poetry. Therefore I
have specialized on the British mystics, such as John Milton and William Blake.
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In my thesis I carry out a close-reading
of William Blakes The Book of Urizen. My analysis observes
the accordance between Blakes work and the hermetic traditions,
especially on the philosophical side. In my analyses I draw immediate
parallels between Blakes visionary work and the teachings of various
mystic and hermetic traditions and outline the obvious correspondences
of the two. My aim is not to find immediate historical or referential
links between the poem and the mystic teachings, but to reveal the
possible meaning of the visionary epic. I wish to
show the connections between Blake's visionary poetry as art and
formulated philosophies both depicting the same universal truths.
My point is to show the universality of the ideas expressed. |
Therefore I draw immediate analogies from
the traditions and teachings of Gnosticism, Neoplatonism and Greek
mythology, the Sumerian and Persian mythology, Hermetic philosophy,
Alchemy and Occultism, the Kabbalah and Jewish mysticism, and some Eastern
examples from Hindu, Buddhist and Chinese philosophy. I also draw
parallels with the Bible and John Milton's Paradise Lost.
Furthermore, I don't only give a complex
analyses of Blake's The Book of Urizen, but also William
Blake the visionary mystic. That is why chapters I & II are
included. Altogether my work is a tribute to the great master of
poetry, William Blake himself the seer of universal truths. |
The
Book of Urizen
is Blake's Genesis, and the core of his Bible of Hell, re-shaping
the Fall and the Creation of the physical universe. It is also the
locus for his mythology in 'A Song of Liberty', America,
Europe, The Song of Los, The Book of Ahania
and The Book of Los, all of which rest on the ideas presented
in this poem. Urizen, like Milton's Satan, was an angel enjoying
the immoral life, though among democracy of immortals. He is not
cast out for rebellion against law, but separates himself by demanding
that Law be established. Los, the immortal artist, emerges to define,
clarify and make sense of the disaster, by the power of imagination.
Blake works in many more allusions. Los becomes Adam, and Enitharmon
his Eve. Orc is born to her, like Cain, but also the Serpent. |
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The
storyline of the poem is as follows: Urizen
a god of Reason who separates himself from other Eternals, demands
obedience to his self-proclaimed principles, and falls into Chaos
is an abstract, vain and punitive deity. A body is created for
him by Los,
'the eternal prophet' or Divine Imagination. But Los, exhausted,
divides into male (Los) and female (Enitharmon).
Their child Orc
who represents Rebellious Energy is born but immediately chained
to a rock. Urizen then explores his deadly world, and mankind shrinks
up from Eternity. Finally, some of Urizen's children begin an exodus. |
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Here is the content of my thesis-paper:
Table
of Contents |
I.
Introducing
William Blake
.....4-25. |
II.
Major Influences
.....26-42.
|
The
Romantic period
.......26-28. |
·
The
Poets of Early-Romanticism
..............28-30. |
Mysticism
and Romanticism
.....30-31. |
·
Protestant
mysticism
..................31-33. |
·
Political
radicalism
.
................33-36. |
·
Neoplatonism
....................36-37. |
·
Freemasonry
and Secret Societies
...............37-39. |
·
The
New Church
.................39-42. |
III.
The Book of Urizen
.....43-47.
|
The
Chapters
..........48-72. |
·
Preludium
..................48-50. |
·
Chapter
I. - Urizen
.
..............50-52. |
·
Chapter
II. Prior to Existence
.
.............53-56. |
·
Chapter
III. Grasping Subsistence
.
...........57-59. |
·
Chapter
IV. Taking Form
.
............59-62. |
·
Chapter
V. Foundations of Life
.
.............63-65. |
·
Chapter
VI. Generation
.
..............65-67. |
·
Chapter
VII. Chains of Being
.
..............67-78. |
·
Chapter
VIII. The Material World
............69-71. |
·
Chapter
IX. The Human Race
.
..............71-72. |
Appendix:
William
Blake The Book of Urizen
.73-84. |
Bibliography
.........85-88.
|
List
of Plates
.
.........89. |
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Interested?
Write and I will send you a copy.
Essays
Literature
|
William
Blake The Book of Urizen (MA Thesis)
[March 2000] |
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Miltons
Pradise Lost - The Fall of Man [Autumn 1996] |
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The
Psychology of Crime in Edgar Alan Poes writings [Autumn 1995]
|
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The
new era of America : Walt Whitman [Autumn 1994]
|
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W.B.
Yeats - Purgatory [Spring 1994] |
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H.P.
Lovecraft - The Cthulhu Myth [Spring 1994] |
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William
Shakespeare - Sonnet XCIV [Spring 1994] |
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Percy
Bysshe Shelley - Ode to the West Wind [Autumn 1993]
|
Linguistics
|
Text
analyses of Intended Lease for Life 1420 [Spring 1996]
|
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The
etymology of paradise, dough, and fiction [Autumn
1994] |
|
Heads
(Linguistic difficulties of Percolation) [Spring 1995]
|
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Parts
of Speech [Spring 1995] |
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Stress
in the English language [Autumn 1994] |
|
English
affixes [Autumn 1993] |
British-American
Culture
|
Contemporary
British Mosaic (5 short essays) : Kazuo Ishiguro - The Remains of
the Day ; Timothy Mo - Sour Sweet ; John Agard - English Girl Eats
Her First Mango ; Stephen Poliakoff - Coming into Land ; Salman Rushdie
- The Satanic Verses [Autumn 1995] |
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Nam
on the Net [Spring 1996] |
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William
Holman Hunt - The Lady of Shalott [Spring 1996] |
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Bias
in the Media [Autumn 1994] |
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Personal
Relationships in the U.S. - based on the films Manhattan and
When
Harry met Sally [Autumn 1994]
|
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4
Short Essays : Bright and Beautiful - Environmental Problems ; Freedom
of Speech ; Religion or Faith? ; Capital Punishment
|
|
Nationalism
and National Minorities [Spring 1994] |
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and Studies and References
too
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